frog aspect//
Sculptural jewelry for expressive wear
Oxidized copper · Hand-pierced openwork
Sculptural, not delicate. This stud makes a statement without a single stone — just copper, cut and pierced into a free-form silhouette, then left to oxidize into its own verdigris finish. It moves like it was found, not made: something between coral, lichen, and a leaf caught mid-decay. The verdigris reads beautifully against warm neutrals, black, blues and deep greens — worn as the one striking detail in an otherwise simple look.
Part of the Patina line — Frog Aspect's ongoing work in oxidized copper, where the material's own transformation becomes the design.
Materials: Oxidized copper, Silver stud back
Dimensions: L : 1.8” W 1.4”
Patina · Surface as landscape
Two oxidized copper forms, connected by a link — not fused, not fixed, but held together in a way that lets each layer move independently. The same curve traced twice, slightly shifted, joined at the center by a chain-like detail that becomes part of the design. The patina shifts between teal, black, and gold depending on the light.
Hand-fabricated in Brooklyn. The finish ages with wear — each pair develops its own surface over time.
Materials: Oxidized copper, gold highlights, clear coating, sterling silver post.
Dimensions: L 2.2 in × W 1.0 in Finish: Hand-applied patina, sealed to preserve color and texture.
Note: Each piece is handmade and uniquely oxidized — patina patterns and tones may vary slightly.
Form in miniature. The same sculpted language as the necklace — stacked discs, a rising wrapped column — brought close to the face.
Brass structure wrapped entirely in spandex. Soft to the touch, resolved in shape. The charcoal grey and mauve pink are a pairing that already knew each other.
Wear them to an opening, or to dinner. The kind of earring that starts a conversation without asking for one.
Materials: spandex, brass, silver-plated brass ear wire.
Dimensions: L 1.45" W 1" Lightweight.
Black moves into amber and gold along a strip of sheer mesh fabric, hand-gathered into geometric forms and separated by metal beads along the length. Wear it long and layered, double it for a shorter, fuller look, or rotate the strand to shift which colors face forward — the same necklace reads differently depending on how you turn it. Bold from across the room, translucent up close.
Materials: Mesh fabric, metal discs, magnet clasp
Dimensions: L-25 inch × W-1 inch / L 64 cm × W 3 cm
The original shapeshifter. Handmade fabric cocoon beads in a warm neutral palette on an adjustable cord. Wear it as a pendant, double-loop it as a choker, or knot it for a different silhouette entirely. One necklace, many looks — the definition of wearable art.
Materials: wood, fabric, wax thread
Dimensions : L- 39 inch * W- 2.7 inch / L 100 cm* w 7 cm
Brushed brass · Three graduated spheres
Three spheres, each a different size, suspended along a single hammered wire line. The scale shifts as they fall — largest at the bottom, smallest caught in between — so the whole piece reads like a study in gravity and distance. Each sphere is hollow-formed, keeping the earrings light despite their presence. They catch light differently as they move.
Part of the New Metal collection — Frog Aspect's ongoing work in brass and architectural form.
Materials: Brass, sterling silver ear wire
Dimensions: Approximately 3.5" L × 1" W
Form · Connections in motion
One shape reaching toward another. Valence borrows its name from chemistry, arranging five brass domes into a branching composition of curves, lines, and open space.
Slender hammered stems extend from the central form, giving the silhouette a graphic rhythm. The linked construction allows a smooth, easy swing, following every turn of the head.
Hand-formed and hollow, the domes bring volume with lightness. The brushed brass holds a soft glow, its subtle irregularities carrying traces of the making. A small sculpture at the ear, with a presence that carries across a room.
Materials: Brass, sterling silver posts
Dimensions: L 3.5 in × W 1.5 in
Finish: Brushed matte brass; hollow, hand-formed domes
Made by: Einat Cohen in Brooklyn, NY
Softness, held by structure. Black fades through red along a sculpted spandex form, shaped by metal discs pressed by hand into the fabric — each one a small architectural moment along the length. Wear it long, double it for a closer layered fit, or rotate the strand to shift which tones face out. A bolder gradient, same quiet presence.
Materials: spandex, metal discs, magnet clasp.
Dimensions: L 25.5 “ W 0.8”
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Frog Aspect is a Brooklyn-based art jewelry studio founded in 2008 by Einat Cohen. The work explores texture, structure, and movement through experimental materials and sculptural form.
Oxidized copper · Hand-pierced openwork
A circular form, hand-cut and pierced, then left to oxidize until the verdigris took hold on its own terms. The cluster of open shapes reads like something worn by tide and time — coral, sea glass, a fragment pulled up from somewhere older. Lightweight despite the presence, they catch light differently depending on how they turn.
Part of the Patina line — Frog Aspect's ongoing work in oxidized copper, where the material's own transformation becomes the design.
Materials: Oxidized copper, wire ear hook
Dimensions: L : 1.7 “ W : 1.4 “ Depth : 1 mm